FABRIC. How the forms of drapery create shape, gesture, drama and unity by Maggie Siner

$710.00

If you look over the past 600 years of Western Painting you’ll see drapery everywhere – on classical and religious figures, elegant portraits, genre paintings, still-lives, interiors; drapery covers acres of canvas. Because it captures gravity, weight and movement, it does a great deal of the work in making a convincing dynamic composition. Working from visual perception and studying light relationships we will use still life to simplify and extract the essentials of form and gesture for a unified and dramatic whole.

WAIT LIST: When “out of stock”, please e-mail info@paintingmiles.com to be added to the waitlist. Write Maggie’s waitlist on the subject. Thanks!

Out of stock

Description

  • DATE: December 4 to 7, 2020
  • TIME:  Friday: 5:30 to 9:00 pm / other days 10:00 am to 5:00 pm
  • FEE: $710 – daily catered lunch by Sucre&Sel is included in the fee
  • SUPPLIES LIST: Sent when minimum amount of students is reached.
  • LOCATION: 1401 S. Bloodworth St., Raleigh, NC 27610
  • MEDIUM: Oils
  • LEVEL: intermediate/advanced | STUDENTS: Max 15, min. 14

WORKSHOP DESCRIPTION

If you look over the past 600 years of Western Painting you’ll see drapery everywhere – on classical and religious figures, elegant portraits, genre paintings, still-lives, interiors; drapery covers acres of canvas. Because it captures gravity, weight and movement, it does a great deal of the work in making a convincing dynamic composition. Drapery can be manipulated and altered in ways that bodies can never be, and yet define the forms of the body underneath. As it covers it also reveals. Fabric retains the gesture of movement, giving life to static forms. Changes of color on each turning plane are subtle, beautiful, and completely dependent on fabric texture. This gives tactile specificity for the sense of touch. Fabric suggests content, drama. Working from visual perception and studying light relationships we will use still life to simplify and extract the essentials of form and gesture for a unified and dramatic whole.

ARTIST BIO

Maggie Siner began her studies at the Art Students League in NYC in 1968, graduated from Boston University (BFA) and American University (MFA), and has lived for extended periods in France, China and Italy. Her work has been exhibited in galleries and museums for 30 years and is in hundreds of collections around the world. She has taught extensively nationally and internationally.

CANCELLATION POLICY (NEW!)

If a month before the workshop we haven’t reached the minimum amount of students for the workshop to happen the workshop will be canceled and students will receive a full refund.

If you cancel less than 60 DAYS prior to the start of a workshop you will receive half of your registration fee, If you cancel less than 30 DAYS prior the start of the workshop you will not receive a refund. If you must cancel in this time frame we encourage you to find a replacement, and your replacement can reimburse you for your course fee. If you cancel before the 60-day limit you will receive a full refund minus 3% processing fee.  Unfortunately, students who start a multiple-day class and are unable to attend any portion will not receive a refund.

INCLEMENT WEATHER POLICY (NEW!)

Workshop will be canceled or rescheduled if inclement weather (hurricanes, snow storm, tropical storm, black ice, flooding, etc.) is on the forecast. No one should take any unnecessary risks. If the workshop is canceled, all registration money will be returned to the students minus 3% processing fee.  The workshop will be rescheduled if possible for both parties.